Daniel Tiger’s Neighborhood: Won’t You Sing Along with Me? has been recognized by Common Sense Media's selection seal program for families. The special, created to help parents manage conversations with their children about the COVID-19 pandemic, is a sing-along special including such favorite songs as "We Take Care of Each Other," "When You're Sick, Rest is Best," and more. Fred Rogers Productions is thrilled to share this honor with our partners at 9 Story Media Group, Brown Bag Films, and PBS KIDS.

"Preschoolers are encouraged to think critically about current problems and are offered positive examples of ways to cope," the editors note. "Characters model positive ways to handle challenges, and offer empathy for the young kids and others struggling during this time."

Read the full write-up from Common Sense Media here.

Fred Rogers Productions, the award-winning children’s entertainment company behind Emmy-winning PBS KIDS series Daniel Tiger’s Neighborhood, Odd Squad, and Peg + Cat, and 9 Story Distribution International, the global distribution arm of 9 Story Media Group, a leading kids’ content creator, producer, and distributor, are joining forces to bring Donkey Hodie to preschoolers and families around the world. The eagerly-awaited puppet series from Fred Rogers Productions and Spiffy Pictures will be available to international broadcasters for the first time at MIPJunior in October.

The (80x11-min) series, set to premiere in the U.S. on PBS KIDS in 2021, was created by Spiffy Pictures’ co-founders, Adam Rudman and David Rudman, and developed by Ellen Doherty, Chief Creative Officer at Fred Rogers Productions. It is inspired by the work of Fred Rogers.

Donkey Hodie is a series with universal appeal for children around the globe, and we’re excited to be partnering with the 9 Story Distribution team to bring the show to a worldwide audience,” said Paul Siefken, President and CEO, Fred Rogers Productions. “We’re proud to be modeling resilience and problem solving for young viewers with every new Donkey Hodie adventure.”

“We are so happy to be working with our long-standing partner, Fred Rogers Productions, to distribute this delightful show to viewers everywhere,” said Alix Wiseman, SVP, Distribution and Acquisitions for 9 Story. “Donkey Hodie combines humor, silliness, and a lot of heart to help young viewers tackle some of the problems they face in their daily lives.”

Donkey Hodie is an imaginative social-emotional series that follows the adventures of Donkey Hodie along with her pals, Purple Panda, Duck Duck, and Bob Dog, as they empower preschoolers to dream big, persevere, and discover that they are capable of overcoming obstacles on their own – and laugh themselves silly along the way! The series is inspired by the quirky sense of humor of children’s TV pioneer Fred Rogers and his mission to help young viewers navigate the everyday challenges of childhood. Donkey Hodie is the granddaughter of the original Donkey Hodie character (now known as “Grampy Hodie”) from Mister Rogers’ Neighborhood, who appeared in 59 episodes of the beloved classic children’s series.

Donkey Hodie features new, original music as well as reimagined versions of Fred Rogers’ original songs to reinforce and underscore each story’s positive message.

In addition to granting 9 Story Distribution the global distribution rights to Donkey Hodie, Fred Rogers Productions recently named 9 Story Brands worldwide merchandising and licensing partner for the brand in all markets outside of the U.S.

About 9 Story Distribution International

9 Story Distribution International is the international distribution arm of 9 Story Media Group, a leading content creator, producer and distributor of kids & family focused intellectual property. Recognized around the world for best-in-class brands such as Daniel Tiger’s Neighborhood, Wild Kratts, Barney, and Garfield and Friends, 9 Story Distribution International represents over 4,200 half hours of animated and live action programming, seen on some of the most respected international channels and platforms. With facilities in Toronto, New York, Dublin, Manchester and Bali, 9 Story Media Group employs more than 1,100 creative and corporate staff. 

About Fred Rogers Productions

Fred Rogers Productions was founded by Fred Rogers in 1971 as the non-profit producer of Mister Rogers’ Neighborhood for PBS. In the years that followed, it not only created hundreds of episodes this much-loved program, but also extended Fred’s values and approach to other efforts in promoting children’s social, emotional, and behavioral health while supporting parents, caregivers, teachers, and other professionals in their work with children. Fred Rogers Productions continues to build on Fred’s legacy in innovative ways through a wide variety of media and engages new generations of children and families with his timeless wisdom. The company’s highly-rated, Emmy Award-winning children’s series include Daniel Tiger’s Neighborhood, Peg + Cat, Odd Squad, and Through the Woods, as well as Donkey Hodie, the eagerly-anticipated puppet series, inspired by the character from Mister Rogers’ Neighborhood, launching in 2021 on PBS KIDS. For more information,
visit www.fredrogers.org or follow us on Twitter, Facebook, Instagram, and LinkedIn.

# # #

Press contacts:

Alison Grand, Grand Communications (for Fred Rogers Productions)
212-584-1133; Alison@grandcommunications.com

Laura Liebeck, Grand Communications
845-440-7974; Laura@grandcommunications.com

Jennifer Ansley, 9 Story Media Group
416-530-9900; jennifer.ansley@9story.com

Odd Squad, the Emmy® award-winning live-action school-age series co-produced by Fred Rogers Productions and Sinking Ship Entertainment, has begun production on an extension of its third season.

The new episodes of Odd Squad will continue to take the agents on far-flung adventures to solve oddness wherever it occurs. With the help of their decked-out Mobile Unit, the Squad will use their hard-earned math and science skills as they travel the world and team up to stop villains in their tracks. In addition to the agents that viewers know and love, an all-new character will make an exciting debut.

Odd Squad is a live-action series designed to help kids 5-8 build math, problem-solving, and collaboration skills. The show focuses on intrepid young agents who are part of Odd Squad, an agency whose mission is to investigate strange happenings. All three seasons of Odd Squad feature a math concept embedded in each episode that the Squad uses to set things right. Named one of the best kids’ shows of the decade by Common Sense Media, and with a track record as one of the most-streamed series on PBS KIDS digital platforms,* Odd Squad has solidified itself as a long-standing family favorite. Odd Squad airs daily on PBS KIDS.

* Source: Google Analytics January 2015 – July 2020

It's the most ghoulish time of the year! Celebrate the festivities all month long with your favorite Autumnal episodes of Peg + Cat, Odd Squad, and Daniel Tiger's Neighborhood. Check your local listings for specific airtimes.

Daniel Tiger's Neighborhood

  • Katerina's Costume/Dress Up Day: October 19, 23, 25, 28, 30
  • The Neighborhood Fall Festival/Field Day at School: October 13

Odd Squad

  • Haunt Squad/Safe House in the Woods: October 16, 19, 27, 30

Peg + Cat

  • The Parade Problem/The Halloween Problem: October 15, 20, 26, 30

This fall, kids across the country can tune in to Odd Squad in an exciting new way with a fun and educational podcast that will take young listeners beyond the screen and even deeper into the exciting world of the familiar series. ODD SQUAD: Odd Squadcast will premiere on November 25. Audiences can listen along on pbskids.org and anywhere you listen to podcasts.

Spinning off from the “odd-ventures” of Odd Squad, the multiple Emmy®-winning series from Fred Rogers Productions and Sinking Ship Entertainment, the eagerly-anticipated ODD SQUAD: Odd Squadcast follows The Big O as she hosts a weekly radio address for agents all over the world—and tries to stop an odd invasion on headquarters at the same time! The podcast will consist of seven episodes, with two episodes launching weekly.

Odd Squadcast was created with major funding from the Corporation for Public Broadcasting.

A live-action series designed to help kids 5-8 build math, problem-solving, and collaboration skills, Odd Squad centers on four young agents who are part of Odd Squad, an agency whose mission is to investigate strange happenings. Launched as part of the Ready To Learn initiative, a collaboration between CPB and PBS funded by the U.S. Department of Education, Odd Squad is now in its third season. Every episode features a math concept that Odd Squad uses to set things right. To crack each case, the agents use deductive reasoning and logical thinking—along with teamwork and a hefty dose of humor—to explore the “math in the science.”

Also premiering in Fall 2020 from PBS KIDS will be Season 2 of the Molly of Denali Podcast and the debut of the Pinkalicious & Peterrific Podcast.

Tell us about yourself and how you came to direct children's television shows as a career.
I fell in love with drawing and animation at a very young age. It was magic to me, and I was pretty driven to follow it as a career choice. I took both traditional animation and 3D animation programs in college.

I started off working as an animator, having fun with characters on such shows as Peep and the Big Wide World, Best Ed, and Almost Naked Animals. Over the years, my interest in other parts of the pipeline kept me curious about each department and how it all came together. Opportunities came to try storyboards, and I fell in love with being able to make different choices that influence story and performance, and I got to draw!

I spent the first three seasons of Daniel Tiger’s Neighborhood as the assistant director. I then spent some time in Ireland as storyboard supervisor on The Stinky & Dirty Show. When I was asked to step into the director role during season four of Daniel Tiger’s Neighborhood, I felt I knew the show very well, had support from the team and clients, and had learned so much from the director that came before me that I was ready for the challenge.

Directing wasn’t an ambition of mine, but the opportunity to try it was amazing, so I jumped in! Now we’re more than half way through season five and I’m enjoying how much I’m learning and growing in this role. I’ve spent a quarter of my life working on Daniel Tiger’s Neighborhood, which I think is pretty remarkable!

What was your favorite television show growing up?
I had so many favorites, I could never choose! I loved He-Man and She-Ra, Thundercats, Care Bears, X-Men, Rainbow Brite, Jem and the Holograms, Looney Tunes, The Muppet Show, Fraggle Rock, Mr. Dressup, Mister Rogers’ Neighborhood, and more.

I loved the endless worlds, characters, and possibilities they presented. I loved Mr. Dressup because he taught kids to draw, and Mister Rogers’ Neighborhood because he showed kids how to ask questions and face the world with open hearts and kindness.

What are the steps that go into your role to make an episode of Daniel Tiger’s Neighborhood?
My role involves collaboration at every step with our partners at Fred Rogers Productions and 9 Story Media Group, as well as each department on the team here at Brown Bag Films. We work together to influence and provide feedback on how things come together with the intended look and feel.

I have the pleasure of being involved in everything from scripting, to final delivery of the animated episodes and shorts, all while working with a lot of brilliant people. My time is spent reviewing scripts and lyrics, working with many artists to plan out setups, compositions, and story flow; launching and reviewing storyboards, designs, layouts, background paintings, miniatures, and animation; working with editors to time out leicas; and fusing together ideas from partners and the team to make the best choices we can for the show.

On any given day, there could be a dozen episodes or more, all in different stages, coming together bit by bit over many months and years. I have the best “seat in the house!” I’m lucky to see things start as ideas, words, and sketches. Through a lot of hard work and heartfelt dedication from very skilled people, those ideas, words, and sketches evolve into something special and alive on screen that people really care about—that’s magic!

What are your favorite episodes of Daniel Tiger's Neighborhood?
It's impossible to choose just one! I feel a real connection to a lot of them and find the strategies helpful in my own life.

“Tiger Family Trip” was made right after I’d done a 24-day road trip with my Mom and her dog from Toronto to Tofino and back. It was great fun to associate my happy memories with the Tigers’ journey to Grandpere’s house. It definitely influenced a few of the visuals along the way!

“The Big Slide” has helped me cope with my fear of flying. I’ve chirped, “I’m a brave owl!” just like O, while stepping on to the plane, and got some laughs when the flight staff heard me.

“Nighttime in the Neighborhood” is also a favorite. I loved seeing the Neighborhood of Make-Believe at night and seeing Daniel dancing among the stars. The songs from that episode are some of my all-time favorites. Don’t get me started on the songs, they are all so catchy and wonderful!

There are several episodes we are working on this season that have yet to air or be completed that are very meaningful to me, and I can’t wait to see them finished! The entire team has continued working so well during this pandemic; even though we’re apart, it feels like we’re together.

What do you like to do when you’re not working on the show?
I enjoy family time in various fun forms: board game nights, movie nights, video calls, backyard BBQs and cooking show marathons, gardening, beach days, video games, spending time with my partner, parents, siblings, nephews, and nieces.

I like taking road trips when circumstances allow. I love driving and the freedom of exploring. With family and friends, I’ve traveled coast to coast across Canada, down to Key West in Florida, and lots in between, all by car.

I have enjoyed photography for a long time. I mostly photograph clouds, flowers, bugs, and everything in nature. In recent years, I’ve had the unique joy of photographing raptors (birds of prey). I’ve been able to photograph some really gorgeous hawks, golden and bald eagles, kestrels, falcons, and owls outside in all seasons.

Watch Daniel Tiger's Neighborhood daily on PBS KIDS.

Fred Rogers Productions, the award-winning children’s entertainment company behind the much-loved, Emmy-winning PBS KIDS series Odd Squad, Daniel Tiger’s Neighborhood, and Peg + Cat, has inked a national sponsorship deal with Age of Learning’s Adventure Academy for Odd Squad.

Adventure Academy, from the creators of award-winning ABCmouse.com, is a highly engaging online game for elementary and middle school children featuring thousands of learning activities in an interactive virtual world. Both Odd Squad and Adventure Academy make learning enjoyable for kids through quests and adventures that help them become more proficient in math and science. As part of the sponsorship, a 15-second spot will appear at the start and end of each Odd Squad episode. The Adventure Academy logo will also be included on educational assets and digital media, including the series’ website on PBSKIDS.org and PBS KIDS for Parents (pbs.org/parents). The sponsorship runs from September 14, 2020 to December 26, 2021.

“We’re thrilled to welcome Adventure Academy as a national sponsor for Odd Squad,” said Paul Siefken, President and CEO, Fred Rogers Productions. “Like Odd Squad, Adventure Academy encourages children to persevere and work collaboratively to solve problems.”

Fred Rogers Productions partnered with public media sales organization Sponsorship Group for Public Television to secure the sponsorship. “As a sponsor of Odd Squad, Adventure Academy is part of a unique group of companies that sustains public television and our core mission of serving kids and families with quality, enriching programming,” said Suzanne Zellner, VP. “We are proud to have their support.”

Odd Squad is a live-action series designed to help kids 5-8 build math, problem-solving, and collaboration skills. The show focuses on intrepid young agents who are part of Odd Squad, an agency whose mission is to investigate strange happenings. All three seasons of Odd Squad feature a math concept embedded in each episode that the Squad uses to set things right. Named one of the best kids’ shows of the decade by Common Sense Media, and with a track record as one of the most-streamed series on PBS KIDS digital platforms,* Odd Squad has solidified itself as a long-standing family favorite. Odd Squad airs daily on PBS stations (check local listings), the PBS KIDS 24/7 channel, and streams on pbskids.org and the free PBS KIDS Video app. Odd Squad also airs on TVO Kids and SRC in Canada.

Odd Squad was created by Tim McKeon (Fosterʼs Home for Imaginary Friends, Adventure Time, The Electric Company) and Adam Peltzman (The Electric Company, The Backyardigans, Wallykazam!) and produced by Sinking Ship Entertainment and Fred Rogers Productions. For more information on Odd Squad, visit pbskids.org/oddsquad and follow Odd Squad on Facebook and Twitter.

* Source: Google Analytics January 2015 – July 2020

About Age of Learning
Age of Learning® is a leading education technology innovator, creating engaging and effective learning resources to help children build a strong foundation for academic success. Based in Los Angeles, the company is Bringing Learning to Life® by blending educational expertise, innovative technology, and insightful creativity. Age of Learning’s flagship product in the U.S., ABCmouse.com® Early Learning Academy, is a comprehensive curriculum for preschool through second grade, available on all major digital platforms and used by tens of millions of children to date. In 2019 the company launched Adventure Academy™, the first AAA educational massively multiplayer online game (MMO), serving elementary- and middle-school-aged children with thousands of learning activities in a fun and safe virtual world. Connect with Age of Learning at www.AgeofLearning.com or on LinkedIn, Twitter, YouTube, and Facebook.

About Sponsorship Group for Public Television
The Sponsorship Group for Public Television represents the best sponsorships on PBS, with national inventory from GBH Boston and other producers of quality public media content across all genres and platforms. For more information on this or other PBS sponsorship opportunities, contact the Sponsorship Group for Public Television at 800.886.9364, email sgptv@wgbh.org or visit SGPTV.org.

About Sinking Ship Entertainment
Sinking Ship Entertainment is an award-winning production, distribution and interactive company specializing in family and kids’ live action and CGI blended content. Since opening its doors in 2004, Sinking Ship has produced over 500 hours of content, and through their globally recognized in-house distribution division, has sold to over 200 countries internationally. The company has rapidly earned a global reputation for high quality, groundbreaking original series and companion interactive experiences. Overall, Sinking Ship has won 21 Daytime Emmy® Awards and a variety of other international awards including Canadian Screen Awards, Youth Media Alliance Awards, Fan Chile Awards, Parent’s Choice Awards, the Shaw Rocket Prize, and the Prix Jeunesse International. In addition to production, Sinking Ship operates a cutting edge VFX and Interactive Studio, creating multi-platform digital experiences and interactive content for audiences around the world. The Toronto-based company is home to over 175 shipmates.

About Fred Rogers Productions
Fred Rogers Productions was founded by Fred Rogers in 1971 as the non-profit producer of Mister Rogers’ Neighborhood for PBS. In the years that followed, it not only created hundreds of episodes of this much-loved program, but also extended Fred’s values and approach to other efforts in promoting children’s social, emotional, and behavioral health while supporting parents, caregivers, teachers, and other professionals in their work with children. Fred Rogers Productions continues to build on Fred’s legacy in innovative ways through a wide variety of media and engages new generations of children and families with his timeless wisdom. The company’s highly-rated, Emmy Award-winning children’s series include Daniel Tiger’s Neighborhood, Peg + Cat, Odd Squad, and Through the Woods as well as Donkey Hodie, the eagerly-anticipated puppet series, inspired by the character from Mister Roger's Neighborhood, launching early 2021 on PBS KIDS. For more information, visit www.fredrogers.org or follow us on Twitter, Facebook, Instagram, and LinkedIn.

# # #

Press contacts:

Grand Communications

Alison Grand
212-584-1133; Alison@grandcommunications.com

Laura Liebeck
845-440-7974; Laura@grandcommunications.com

Tell us about yourself and how you came to edit sound for children’s television shows.
I come from a musical family. My mother was a music teacher, so I took up piano and voice at a very young age, and followed that up with more and more instruments as I grew older. I pursued music in university as well, and played in a variety of popular bands. The latter gave me the opportunity to work in a recording studio, and learn the art of recording and mixing. That experience inspired me to move to Toronto to further my studies in recording arts.

I was picked up by Technicolor Creative Services in Toronto right out of school, and worked my way up through the ranks to the position of sound editor. As for getting my chance to work in children’s television, I think my passion for science fiction really worked in my favor. Odd Squad is a show full of “gadgets” and otherworldly sounds, and producer J.J. Johnson was happy to have someone who spoke the same language. He showed a lot of faith in me.

What was your favorite television show growing up?
I grew up long before the advent of streaming, so cartoons on Saturday morning, and the original 1970s Star Trek on Saturday afternoon, were what I waited for all week. But for me, it all started with Star Wars in 1977. Ben Burtt created the most amazing sound effects for that movie series, sound that stands up well even today. His work has always inspired me, and that movie sparked my passion for science fiction. I'm kind of a Star Wars super fan.

In your role as Sound Effects Designer, what goes into an episode of Odd Squad?
First, I start by watching the entire episode and cataloguing all of the events that will require added sounds. This includes all of the different locations, actor interactions, and numerous CGI shots. These all get marked, and the work gets distributed between myself and the other two sound effects editors; Bill Turchinetz, who handles the gadgets, and James Robinson, who handles the real world sounds like cars and doors. My job is to maintain overall sound continuity.

We’ve built a very rich library of designed sound effects for this show, so I make sure we are always sticking to the formula that J.J. established from the beginning. I start by editing all of the atmospheres, many of which are the pre-established ones I designed for the very first episode, but there’s usually always a new location to design in almost every episode, and I do my best to catalogue them in case they recur again in the future. After that, I edit all of the specific effects I have on my list: bullpen doors, tube system, computers, the Odd Squad Mobile Unit van taking off or landing, and any creatures or sci-fi elements particular to the episode.

Every episode has a “sound moment,” whether it’s a dragon, a “pie-nado,” or a gigantic robot, and not only do I have to figure how it’s going to sound, but I have to figure out how it plays into the educational theme of the show. We want the sounds to be huge and awesome, but we also don’t want them to distract from the dialogue, because the actors are trying to impart an important math lesson, which is always the key mission of the episode. My job is to make sure all of those criteria are being met.

What’s your favorite episode of Odd Squad?
That’s actually tougher than you think. There are so many great episodes! I have a soft spot for the very first episode, “Zero Effect,” because I worked very hard to establish all of the key locations, like the bullpen, the lab, and Ms. O’s Office, and all of the recurring sounds like the “squish-inator,” the tube travel system, and tube system arrival sounds. And we had so many CGI characters in that opening bullpen sequence: flying goldfish, aliens, robots, and unicorns. The episode flowed from one great sound moment to another.

I also loved “Crime at Shapely Manor,” which featured members from the Kids in the Hall comedy group. There were always lots of little pop culture references and Easter eggs built into every episode. I enjoyed that the writers had something in there to make the adults watching smile as well.

What do you like to do when you’re not working on the show?
I love spending my free time with my young family, but I also have a passion for video games, tabletop games, and board games. In the case of the latter, my friends and I have been playing them online throughout the COVID-19 pandemic.

What were your first thoughts when you learned your team won an Emmy award?
I had a hard time actually believing it was true. They announced the technical arts awards via social media, so I was on the Daytime Emmy Awards Facebook page, constantly refreshing the page, and when the winner for Outstanding Sound Editing for a Live Action Program came up and I saw “Odd Squad," my heart started beating a mile a minute.

I still had to tap “read more,” concerned this was just the list of nominees or something, but the only name was Odd Squad. I even watched the video they attached before I was finally able to accept it was true. I was excited for myself, and for my sound team, and excited for the entire Sinking Ship Entertainment family.

These shows are full of so many talented people working and imagining together, so when one of the nominated team wins, we all share in the victory. I also come from Canada’s smallest province, Prince Edward Island, on Canada’s east coast. So, this win is something I am proud to share with all of my friends and family back home. All the musical and technical skills I learned while living there helped to win this award.

Watch Odd Squad weekdays on PBS KIDS.

Fred Rogers Productions, the award-winning children’s entertainment company behind the much-loved, Emmy-winning PBS KIDS series Daniel Tiger’s Neighborhood, Odd Squad, and Peg + Cat, has named Simon & Schuster Children’s Publishing master publishing partner for Donkey Hodie, its multiplatform puppet series for preschoolers launching early next year on PBS KIDS. A wide range of books inspired by the new show and the work of Fred Rogers will begin rolling out at retail Q1 2022.

“We’re very excited to build on our successful relationship with Simon & Schuster Children’s Publishing for our newest brand, Donkey Hodie,” said Paul Siefken, President and CEO, Fred Rogers Productions. “Donkey Hodie shows children that they can accomplish great things with a can-do attitude, perseverance, and a little help from their friends.”

“We’re delighted to develop books for this stunning new series and build on its timely messages about creative problem-solving and goal-setting for preschoolers beyond the screen,” said Valerie Garfield, VP, Publisher, Novelty & Licensed Publishing, Simon & Schuster Children's Publishing. “We’re thrilled to expand our relationship with Fred Rogers Productions with another standout brand that will inspire kids and families to learn and play together.”

Simon & Schuster Children’s Publishing’s broad assortment of titles for Donkey Hodie will encompass storybooks; Ready-to-Read beginning readers; board books; novelty titles, including pop-up and lift-the-flap titles; early chapter books; and e-book formats. As master publishing partner for Daniel Tiger’s Neighborhood, the company has produced more than 10 million books in print across a range of formats for that license.

Inspired by the funny, quirky side of children’s television pioneer Fred Rogers, Donkey Hodie is an imaginative puppet series that follows the adventures of Donkey Hodie, a sweet, yellow donkey with a magenta mohawk, and her pals—Purple Panda, Duck Duck, and Bob Dog—who live in the land of Someplace Else. Donkey Hodie is the granddaughter of the original Donkey Hodie character (now known as “Grampy Hodie”) from Mister Rogers’ Neighborhood, who appeared in 59 episodes of the beloved classic children’s series. The new Donkey Hodie series, produced by Fred Rogers Productions and Spiffy Pictures
(Nature Cat), is designed to empower children ages 3-5 to dream big and overcome obstacles in their own lives, to work hard and persevere in the face of failure, to be resourceful and discover they can solve problems on their own—and to laugh themselves silly along the way.

The series is currently in production on 40 half-hour episodes and will feature new music along with reimagined versions of Fred Rogers’ original songs to reinforce and underscore each story’s positive message. Each episode of Donkey Hodie will include two 11-minute, character-driven stories. Executive producers are Ellen Doherty, Chief Creative Officer of Fred Rogers Productions, and Adam and David Rudman, co-founders of Spiffy Pictures.

About Simon & Schuster Children’s Publishing
Simon & Schuster Children’s Publishing, one of the leading children’s book publishers in the world, comprises the following imprints: Aladdin, Atheneum Books for Young Readers, Beach Lane Books, Libros para niños, Little Simon®, Margaret K. McElderry Books, Paula Wiseman Books, Simon & Schuster Books for Young Readers, Simon Pulse, and Simon Spotlight®. While maintaining an extensive award-winning backlist, the division continues to publish acclaimed and bestselling books for children of all ages. Simon & Schuster publishes numerous Caldecott, Newbery, and National Book Award winners. For more information about Simon & Schuster Children’s Publishing, visit our website at www.simonandschuster.com.

About Fred Rogers Productions
Fred Rogers Productions was founded by Fred Rogers in 1971 as the non-profit producer of Mister Rogers’ Neighborhood for PBS. In the years that followed, it not only created hundreds of episodes of this much-loved program, but also extended Fred’s values and approach to other efforts in promoting children’s social, emotional, and behavioral health while supporting parents, caregivers, teachers, and other professionals in their work with children. Fred Rogers Productions continues to build on Fred’s legacy in innovative ways through a wide variety of media and engages new generations of children and families with his timeless wisdom. The company’s highly-rated, Emmy Award-winning children’s series include Daniel Tiger’s Neighborhood, Peg + Cat, Odd Squad, and Through the Woods as well as Donkey Hodie, the eagerly-anticipated puppet series, inspired by the character from Mister Roger's Neighborhood, launching early 2021 on PBS KIDS. For more information, visit www.fredrogers.org or follow us on Twitter, Facebook, Instagram, and LinkedIn.

Press contacts:

Grand Communications

Alison Grand
212-584-1133; Alison@grandcommunications.com

Laura Liebeck
845-440-7974; Laura@grandcommunications.com

Alexandra and Jill are writers for the acclaimed PBS KIDS series. The pair were nominated for a 2020 Daytime Emmy award in Outstanding Writing for a Preschool Animated Program, and co-wrote the upcoming Daniel Tiger special, "Won't You Sing Along with Me?"

Tell us about yourselves and how you each became writers for a children’s television show.

Alexandra Cassel Schwartz: I always knew I wanted to work with kids. While studying in undergrad at Colgate University, I studied Child Psychology as well as Film & Media Studies, and was determined to meld these two interests into a fulfilling career. I went on to receive my Master’s in Developmental Psychology from Teachers College at Columbia University, where I continued to leverage my passion, creativity, and interest in entertainment. I specifically honed in on the preschool audience, and am so fortunate to work for 9 Story Media who values research and the needs of the child.

Jill Cozza-Turner: I knew I wanted to write for children and families, so after college I took a job as a receptionist at an animation studio and spent as much time as I could reading scripts, sitting in on meetings, and getting to know the writers, producers, directors, and artists. I eventually started pitching story ideas and once I wrote my first preschool script, I was hooked! Since then, I've written for over 30 children's shows, and it is truly the best job in the world!

What was your favorite television show growing up?

ACS: Rugrats! I have always been obsessed with babies so was initially drawn to the adorable and simplistic character designs and details. But what I’ve come to appreciate about the show now more than ever is the witty writing. I knew even as a child that Rugrats was clever (I mean, a baby brother named Dil Pickles? Hilarious!), but I’m certain many of the jokes went over my head, and that’s okay as it didn’t take away from my comprehension. When I watch the show now (and I do!), I can see why my older sibling, babysitters, and even parents tolerated and enjoyed watching the series with me. I love a show that succeeds in reaching a whole family and encourages laughter and discussion, even once the TV set is turned off.

JCT: I watched mostly PBS, and of course I loved Mister Rogers' Neighborhood and Sesame Street. I remember being mesmerized when I would visit the Crayon Factory or the Pasta Factory with Mister Rogers and how excited I would get when I would hear Trolley's music, because it meant that we were going to the Neighborhood of Make-Believe! The fact that I've been able to brainstorm and create with people who actually worked on the original Mister Rogers' Neighborhood is a dream come true!

What goes into writing an episode of Daniel Tiger’s Neighborhood?

ACS: We are so fortunate to work closely with the Fred Rogers Productions team and child development advisors, many of whom worked with Fred himself on Misters Rogers’ Neighborhood. We are often asking, “What would Fred say about [insert emotion or behavior]?” We work together to identify a socio-emotional issue, the “Freddish” approach or strategy, for effectively managing that issue, and then frame it around a preschool-relatable and engaging storyline.

A key part of our writing is our research process, where we run the scripts by our most critical consultants: kids themselves! Our research team tests for attention, comprehension, interest, and engagement. Even with the seemingly straight-forward topics, the kids always provide fascinating insights. The writers are then tasked with making the necessary edits to get the script polished and ready for production!

JCT: The care that goes into every episode of Daniel Tiger’s Neighborhood is truly inspiring and totally unique from any other show I've worked on. We partner closely with the advisors from Fred Rogers Productions to make sure we're approaching each topic the way Fred would, and we also listen to parent feedback and draw on our own experiences with the little ones in our lives to generate stories! Research also plays a huge part in how we craft every episode of Daniel Tiger's Neighborhood. Watching our very (sometimes brutally) honest young audience react to an episode in the early scripting stage is a phenomenal tool to ensure we're keeping our stories age-appropriate and having a real impact on their lives.

What’s your favorite episode of Daniel Tiger’s Neighborhood?

ACS: Too hard to pick just one! The “Won’t You Be Our Neighbor?” movie, which introduced a new character named Jodi and her Platypus Family, was a true labor of love. It was an exciting challenge to take on a special of this magnitude and length, and enabled the writing team to really capture the emotional rollercoaster that comes with moving and making new friends. The movie also included several new, can’t-get-out-of-your-head songs, and it was such a joy to collaborate with the amazing composers at Voodoo Highway to make this special truly “special.” It’s been so rewarding hearing from fans that Jodi has quickly stolen their hearts and become a favorite character.

But like I said, I can’t pick just one episode! “Daniel’s Grr-ific Grandpere” also holds a special place in my heart. We’ve heard many times that fans feel like better parents and grandparents after watching and learning from Daniel Tiger. I feel so fortunate to work on a show that has the ability to strengthen inter-generational bonds. I wrote “Daniel’s Grr-ific Grandpere” with my own “Poppa” in mind, and much of the story was inspired by the time we spent together when I was a child. Though he passed away shortly before the episode premiered, I feel so proud to have shared his love, spirit, and humor with children everywhere.

JCT: I love when we can give families concrete strategies for coping with emotions. In the episode "Mama Travels for Work," Dr. Platypus needs to travel away from home for a few days, but gives her children "Love You Loops" as a way to mark how long she'll be gone and remind them that “grown-ups come back.” Now I actually make Love You Loops for my own children whenever I travel, and it's become one of our favorite traditions!

 What do you like to do when you’re not working on the show?

ACS: I like to play games with friends, pickle my own vegetables, and go for nature walks. If these sound familiar, it’s because they are the activities featured in some of our Daniel Tiger “shorts”! My writing (like most writers!) is very much inspired by my real life and interests… and now that I’m growing a future Daniel Tiger fan of my own (due in December!), I’m sure the next few years will inspire even more themes to write into the “Neighborhood”!

JCT: I crochet, run, play games with my kids, and bake, but it's a running joke in my family that my favorite thing to do when I'm not writing for the show is... write! Like most writers, I have new ideas, screenplays, and lots of stories in my head, so when I have downtime I like to work and tinker on those.

What were your first thoughts when you learned you were nominated for a Daytime Emmys award?

ACS: What was I going to wear?! (Just kidding, especially because this year’s Emmys were handled virtually). It’s such an honor to be recognized and while a shiny trophy sure would look good on the mantel, it’s the feedback from fans that’s even more rewarding. We receive photos, letters, and social media posts daily from little tigers around the world who are using Daniel Tiger’s ditties in their own lives. It’s such a good feeling that the thought and care we put into each and every message is making a positive impact on the next generation.

JCT: What a thrill to be nominated with this amazing team of writers! We truly love what we do, so to be recognized is such an honor and an incredible privilege.

What was your inspiration behind the upcoming special, “Won’t You Sing-Along with Me?”

ACS: These are truly unprecedented times. We started conceptualizing this special with Fred Rogers Productions and PBS KIDS back in March, and one of the biggest challenges was predicting what issues and practices would still be relevant when the episode would air a couple months later in August. Sad to say, not much has improved, so we are glad to be giving kids and caregivers tools to help manage this ‘new normal.’

We worked with consultants to identify what the most challenging facets of quarantine have been for this young audience, and asked the age-old question, “WWMTD?” (What would Mom Tiger do?!) One thing we were most excited to address was that Mom Tiger doesn’t ALWAYS have the answers! COVID has been frustrating for kids and parents alike because there is still so much uncertainty, and we wanted to address that even Mom Tiger doesn’t know when things will get back to normal; but she DOES have several strategies up her sleeve to help cope.

JCT: When we started conceptualizing this special, we asked ourselves how we could help our littlest neighbors and their caregivers cope with this unprecedented situation, but of course we didn't want to bring up any new fears. We decided that exploring the disappointment children (and grown-ups!) feel when things are different or uncertain would be the most relatable approach, and what's more disappointing than missing the annual Neighborhood Carnival?! Of course, this pandemic has brought up lots of other emotions, so we were so fortunate to pull from our catalog of beloved songs and episodes so children can sing along and help them deal with feelings of anger, sadness, frustration, and, of course, missing loved ones.

Since the Sing-Along special also kicks off the series’ fifth season, what are you most excited about in Season 5?

ACS: Season 5 has not one, not two, not three, but FOUR “specials”! While these episodes were conceptualized prior to COVID, we’re covering some BIG topics (and putting poor Daniel through the ringer!) that will help kids cope with things like nerves, stress, and changing circumstances, all of which feel especially poignant during the current climate.

JCT: This season is going to be grr-ific! I can't say too much, but our favorite tiger will be going to new places, experiencing very BIG emotions, and even meeting some new neighbors!

 

Watch new episodes of Daniel Tiger’s Neighborhood beginning August 17 on PBS KIDS.